Tab Hunter died of a heart attack caused by deep vein thrombosis on July 8, 2018, He was 86.Studio head Jack Warner then purchased the film rights to the Tony-winning Broadway musical Damn Yankees! (1958) for Hunter to star in as Washington Senators slugger Hardy. Both the book and film dealt extensively with Hunter's status as a deeply closeted gay man in a period of extreme homophobia in American culture. The book was the basis for a documentary film in 2015, produced by Allan Glaser and directed by Jeffrey Schwarz, which premiered at the South by Southwest festival and subsequently played at a number of other festivals and screenings, and received a theatrical release in October of that year. In 2005, Hunter released his autobiography, "Tab Hunter Confidential," which became a New York Times bestseller.
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Wellman" (1995) and "I Am Divine" (2013), and on TV in "Sophia Loren: Actress Italian Style" (A&E, 1997) and "Natalie Wood: The E! True Hollywood Story" (1997). In later years, he was often featured as an interview subject in documentaries about Hollywood figures, including "Wild Bill, Hollywood Maverick: The Life and Times of William A. Hunter produced Paul Bartel's Western spoof "Lust in the Dust" (1984), as well as starred opposite Divine, and picked up a story credit for David Hemmings' "Dark Horse" (1992). Perhaps his finest performance was as the lonely Venice Beach psychopath of Curtis Hanson's directing debut, "The Arousers" (1973), but he also acted in three movies with Divine, most notably John Waters' "Polyester" (1981).
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During this time, he also starred in his own series on NBC, and, in 1964, performed on Broadway opposite Tallulah Bankhead in the Tennessee Williams play "The Milk Train Doesn't Stop Here Anymore." Hunter returned to the big screen in the 1970s with John Huston's "The Life and Times of Judge Roy Bean" (1972), then attempted to reinvent himself in parts satirizing his popular image, including a role in the showbiz satire "Won Ton Ton, The Dog Who Saved Hollywood" (1978) and "Grease 2" (1982).
Later that year he delivered his memorable portrayal of long-suffering Washington Senators fan Joe Hardy in George Abbott and Stanley Donen's Faustian musical, "Damn Yankees," and appeared opposite Geraldine Page in the Emmy-nominated "Portrait of a Murderer" installment of "Playhouse 90." In the 1960s, he starred in pictures such as "Operation Bikini" (1963) and "Ride the Wild Surf" (1964), and appeared in Tony Richardson's "The Loved One" (1965). Hunter appeared in "Gunman's Walk" (1958), as well as performed the song "I'm a Runaway" in the film. He also launched a recording career, and had a hit record in 1957 with the song "Young Love," which appeared at #1 on the Billboard charts for six straight weeks and sold over one million copies. He went on to play the ingénue for the likes of Raoul Walsh ("Battle Cry," 1955), William Wellman ("Lafayette Escadrille," aka "Hellbent for Glory," 1958) and Sidney Lumet ("That Kind of Woman," 1959). He was cast in Joseph Losey's "The Lawless" (1950), despite having no previous acting experience, and earned his first starring role in 1952's "Island of Desire" opposite Linda Darnell. Tab Hunter parlayed his all-American blond good looks and wholesomeness into screen stardom, becoming an idol for 1950s teenagers who adored his boy-next-door persona and physique.
It's the safest place to be." And I said, "Sidney, I will never forget that."-Tab Hunter quoted to Los Angeles Magazine, November 2004. If you're going to play it safe, stay in bed all day long.
"I was doing a scene with Sophia Loren, and Sidney Lumet said, "Tab, you're playing it safe. Now the conglomerates rule the industry."-Tab Hunter in Variety, July 18-24, 1994. If Warner said you were starting a new film, that was your job and you had to be there. Jack Warner was supportive of the people he had under contract. To make matters worse, there was a musician's strike, so everyone sang to their own recordings, but I had to sing to Stephen Douglass' singing."Hunter doesn't miss the film industry, but he does say there was something special about the bygone days of the studio system.
While Hunter was under contract to Warner Bros., Jack Warner's influence won him the part of Joe Hardy in 'Damn Yankees', much to the consternation of George Abbott who had championed the role's originator, Stephen Douglass.
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